23 Φεβ 2012

The ‘Greek Princess of prints’, Mary Katrantzou’s Autumn/Winter 2012 show

by Evi Karatza

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““I wanted to use waves of color in this collection—but taken from things you use in everyday life, I also was looking for different silhouettes to emphasize embroidery and embellishments”, she said backstage and, Katrantzou scarcely needed to add, to frame those extraordinary prints that have propelled her lickety-split to the top of the London fashion class.
 Hence a godet skirt, so difficult to engineer print-wise that she made only four of them. Or frothing torrents of chiffon. Or a strictly corseted shape she’d extracted from some historical research (specifically Elizabethan England) without, she was quick to add, “crossing into the territory of costume.”

Katrantzou also extended her repertoire in other ways. For the first time, she focused on a single color top-to-toe, like the crayons on her invitation. And she’d chosen deliberately banal subject matter to match the colors. Green meant grass, for instance, rendered as an ornamental lawn working its way down a floor-length gown. Yellow was expressed in a mandala of No. 2 HB pencils, erasers attached.

They were rendered in rubber by the Lesage embroidery atelier in Paris—not only the first time Lesage’s artisans had worked with such stuff, but also their first collaboration with a London designer. Clocks, hedges, telephones, spoons, and forks also provided source material. The bodice of a rococo red velvet dress featured a red typewriter, its keys providing a coiling abstract geometry on the skirt.”

Katrantzou’s conceits were so beautifully conceptualized—here never more so than with the bathtub that foamed with crystals and pearls—that her elevation of the quotidian to the sublime was, once again, easily one of the finest pieces of theater in London fashion week.

This is the kind of collection with so much depth, richness and invention, it’s virtually impossible to dissect it all, to discuss every facet of its innovation, to articulate exactly how it felt to see designer create something so mesmerising, so unique, and hands-down so jaw-droppingly, unapologetically beautiful.
(photos:style.com)

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